slothis · English

Roads of Arabia at the National Museum of Korea

2017-08-22 · Updated: 2026-08-11 · Original (Korean)

This article was translated from the original Korean post with AI assistance. Read the original Korean post →

Since this was my first time visiting the National Museum of Korea (in Seoul), it was naturally my first time checking out a special exhibition like this. As long as I've lived in Korea, I don't think I've ever seen foreign historical artifacts in person rather than on TV. Or maybe my memory is just that fuzzy. Let's just say I haven't. So I was looking forward to it, and since the exhibition happened to be about Islamic culture—which I've never experienced—my anticipation doubled, and I started getting as excited as a kid going to Everland (a major theme park) for the first time. Of course, this excitement was strictly limited to the organ in charge of my mind: my brain. The rest of my body, which usually spends its days lying down in a 5-square-meter room, was preparing to go on strike after walking around for four hours. You need good stamina even to have fun; I felt like I was dying.

Large poster announcing the special exhibition Roads of Arabia at the National Museum of Korea
Roads of Arabia

I'm not sure if the price for special exhibitions is always the same, but admission for "Roads of Arabia" is 6,000 KRW for adults. They set the price at a sweet spot where it's hard to say if it's expensive or cheap. It's fine when paying for myself, but a bit burdensome if I had to buy a ticket for a friend. It's about the price of a few packs of Chapagetti instant noodles. They were also selling an audio guide app, but I didn't think I'd need it that badly plus, I'm unemployed, so I just walked in with my camera. Inside, the exhibition hall feels more than just exotic; it feels like stepping into a cave. The space is dark, with spotlights shining only on the artifacts. I thought it perfectly captured the slightly mysterious vibe of Islamic culture, which made it really easy for me to focus.

The exhibition starts its story with artifacts from a time when the desert was green. Among them, artifacts from the Tayma region are the main focus. Aside from a few pieces, I mostly just skimmed through, so I didn't really grasp the overall flow. Wasn't the overall flow supposed to be the important part?

Elongated stone statue of a person standing with both arms crossed over the chest
Three human-shaped stone statues standing side by side on a display stand
Elongated stone statue carved with facial outlines and a band around the chest
I hadn't walked far before the artifact from the poster appeared. It's a stone statue made around 4,000 BCE. Considering that artifacts found in Korea from a similar period are mostly pottery and arrowheads, the fact that this region produced works of art suggests their economic and cultural levels were on a completely different scale.
Stone statue of a man standing with both hands gathered at his chest
Animal-shaped stone statues and artifacts displayed in a glass showcase
Dark cylindrical bowl with white patterns on the surface
A cup made of coral limestone. The material and pattern make it look exactly like plastic.
Square stone slab with a flower pattern carved in the center and letters at the bottom
The text at the bottom is Greek for "Farewell." It's a tombstone found in Arabia from the 3rd or 2nd century BCE, yet it uses Greek. Greek must have been a lingua franca back then, much like English is today. There's a reason the Romans learned Greek after conquering Greece.
Old statue of a woman carrying an ornament on her head
This is a bed leg.
Golden mask in the shape of a human face and a golden artifact in the shape of a hand
A golden mask and glove worn by a young girl. East or West, it seems that when a precious family member of a wealthy household died, they covered them in gold. I'm really glad that tradition is gone now. If it weren't... yikes.
Necklace studded with red jewels, a thick gold bracelet, and a gold coin engraved with a human face
Broken earthenware bowl painted with bird and geometric patterns
A bowl from around 1,000 BCE. Around this time, comb-pattern pottery was being made in Korea. Was there some kind of exchange? The artifacts from these two very distant cultures don't look all that different.
Semicircular round stone slab with faint patterns and traces remaining on the surface
The Stele of Nabonidus. It's evidence that King Nabonidus of Assyria stayed in Tayma, but you can't see a thing on the stele itself; you have to look at the rubbing next to it to make out even a ti~ny bit of the shape. Honestly, even looking at the rubbing, I couldn't tell what was what, so I just moved on.
Square stone embossed with human and cow heads, a winged figure, and a crescent moon
Stone slab carved with a person leading a cow and a winged disk shape above them
Stele with human eyes and nose carved at the top and ancient characters written below
A tombstone. It was made BCE, but it gives off Picasso vibes. I feel like this design would be pretty popular even if it were used today.
Exhibition room showing three giant male stone statues standing side by side
The background behind it is a video. They played a lot of videos, but I wish they had dubbed them.
Reddish stone statue of a human face with distinctly carved outlines of eyes and nose
From here on, it's artifacts from the Al-Ula region. There was a map with explanations about the area, but I forgot to take a picture of it. If you go in person and look at the artifacts while referencing that map, you'll understand why it's called "Roads of Arabia." I didn't skip taking a picture on purpose.
Three small human-shaped stone statues with simple facial features
Rectangular red stone piece carved with a lion-shaped animal
A sculpture of a nursing lioness.
Rectangular stone slab densely carved with unknown ancient characters
From here, these are artifacts from the Qaryat al-Faw region.
White stone statue of a person wearing a sword at the waist
Facial statue of a person with curly hair and distinct features
A man's face. There was no explanation whatsoever. Is that a bump on his cheek? Or did Cubism exist since BCE? It's more impressive and memorable than any other artifact here. Honestly, I'm only writing all this because I took pictures of the items and their descriptions; other than this and the door to Mecca later on, I don't remember much else.
Two black metal ornaments in the shape of lion heads are on display.
Exhibit featuring a ladle-shaped bowl with a long handle and two small bowls
Cup with a metal handle pierced with small leaf-shaped holes.
It looks exactly like the tea strainers we use today. The design hasn't changed in 2,000 years!
Metal statue of a muscular man holding a club and animal skin.
Hercules. You might ask why Hercules is in an Islamic culture exhibition. I did. Muhammad didn't appear until the 6th century.
Metal figure of a person with a crescent moon ornament on their head and a finger to their lips.
Harpocrates, the god of silence. They made Hercules look so detailed and cool, but then there's this...
Small metal statue of a winged child standing on a white pedestal.
Mural fragment depicting a person's face with large eyes and a figure holding grapes.
A mural depicting the upper class of the time. It's supposed to show them surrounded by fruit and servants, but I feel like I've seen this exact painting in a Russian church.
Old mural fragment with faintly painted red shapes of buildings or towers.
Small cup engraved with a blue and white wavy pattern.
A cup imported from Rome. You could probably just use it today.
Five ancient glass bottles of various shapes and colors placed in the exhibition hall
Bottles used in the 1st century. Looking at these, I almost thought, "Did they just make these themselves and fake the exhibit?" because they look no different from modern bottles. If they could make glass bottles this well, why did the stone statues above look like that?
Old fabric piece woven with animal patterns
Ancient bronze furniture fittings with horse head and human face decorations
An expensive bed headboard ornament imported from Rome. It was reportedly buried in a tomb. Then and now, Italian luxury goods are top tier.
Pair of elaborate gold earrings hanging on a transparent stand
Three translucent ancient glass bottles placed in the exhibition hall
Starting with these bottles, the timeline suddenly jumps forward. These are items from the 7th to 10th centuries that pilgrims carried around. Apparently, if they ran out of money, they would sell the bottles or their contents—I guess you could call it the origin of backpacking.
Three old documents with gold lettering and decorations framed in a picture frame
The Quran
Old document densely written with Arabic characters in black and red ink
Open old manuscript book written with Arabic characters
An old book elaborately written with Arabic characters is open.
A Quran that perfectly fits the phrase "A Quran in one hand, a sword in the other." It's the only Quran I saw that looked like it could double as a shield. It's even from the 16th-century Ottoman Empire.
A huge metal door elaborately carved with Arabic phrases and ornate symmetrical patterns.
The door of the Kaaba. Personally, I think this was the highlight of the exhibition. It's the door leading into the Kaaba in Mecca, and just looking at it makes you imagine how grand Mecca must be. I'd only ever seen huge crowds of people in Mecca on TV, never a proper look at the buildings or doors, but seeing this helped me picture it a bit.
Dark green fabric gorgeously embroidered with Arabic phrases and plant patterns in gold thread.
The cloth covering the Shami door. It's not the Kaaba, but it's a cloth that covers a similar door. Even a door cover is this extravagant.

I paid to see this, so I took pictures and roughly wrote this up to avoid forgetting it, but personally, it wasn't exactly jaw-dropping. The door of the Kaaba being the exception. It would have been easier to understand if there had been a bit more information about the region; it was hard to grasp the overall flow of the exhibition. Of course, this is mostly due to my own lack of knowledge, so people who know a bit about this region will probably enjoy it a lot more.

No matter how many nice things I say, the only things that really stuck in my memory are the bust of the man with a bump on his cheek and the Kaaba door. Even if I think of it as paying 6,000 KRW just to see those two things, it's not a bad deal.